Well, hola, intrepid reader and welcome to the finest end-of-decade review within the known confines of our galaxy. You won’t find any over-rated, sappy Michel Gondry junk here. This is for real men who sail frigid waters in icy rain and wrestle with herds of buffalo on the savage plains of the West. This is also for all the pretty ladies who happen on by. Enchanté.
This is a very special edition of Le Blog’s Best. I took the usual four and made it eleven because I’m covering an entire decade and that’s how I play. This was rather a difficult list to put together because, honestly, the decade didn’t produce many outstanding films. Thanks to the central limit theorem, there were some very good ones but make a quick comparison to the 1990s and you’ll see that the quality was a tad lacking.
Anyway, my choice as the best film isn’t too surprising for me. I’m not throwing any curve balls here. I view cinema, and really all art, primarily as entertainment. Perhaps sometimes it reaches beyond that but the occasion for such “serious” art comes about quite infrequently. If you want “meaning” and “transcendence” go read the news, study history or watch documentaries. I want my movies to have explosions and big guns.
Now that I’ve laid down the law for all the pretentious blowhards (this has to be the worst best-of-decade list around) let’s get down to some rock and some roll. The following films are in strictly alphabetical order except for the number one. I’m rather proud of this list. I’ve scoured the Internet and found no other list that puts my number one near their top and a few other selections are quite esoteric as well. That’s what makes lists so great. No one agrees on them. There’s no accounting for taste. But my taste is the best.
Children of Men (2006)
Is this the modern-day Blade Runner? It’s a smart science fiction with some social commentary but thankfully there is no preaching. At its heart, this is nothing more than an exciting, breakneck chase movie.

City of God (2002)
Enjoying this movie is like eating meat. Yeah I know what happens to those animals but damn I can’t deny the lure of a juicy steak. Likewise I can’t deny the entertainment value in a sprawling crime epic even though it takes advantage of despondent environments and tragic characters. This isn’t some glorified gangster flick. But it does protect us from some uncomfortable realities by wrapping the film in some bubble gum. Hey, if the director wanted it any other way he would have made a documentary.
Fellowship of the Ring (2001)
This visually arresting film redefined special effects and was entertaining enough to keep me watching for three hours multiple times. I thought the second and third films dabbled too much in tedium but this is one of the defining movies of our generation. It’s odd that people keep going on about Avatar’s technical achievements when they are no better than the Lord of the Rings movies… which have been out for at least seven years.
Head-On
A gritty and raw exploration of lives outside the mainstream. The film is about two Turks in Germany and their strange relationship. I’m not really sure what other adjectives to use here but I really like the movie and have watched it several times. The director Fatih Akin made my Best Movies I Watched in 2009 list so he’s definitely on my okay list.

The Incredibles (2004)
Is social commentary important when deciding the value of a movie? Nah… are you joking me? Wall-E is the Pixar movie of choice for most end-of-decade lists and it’s a charming, entertaining film. But it’s given added value because it is a statement on the future of our planet. Whatever. The Incredibles is the best animated film of the decade. Just an exciting superhero romp, pure fun.
Kill Bill Part 1 (2003)
I could care less what a director thinks of their own work and how it should be interpreted. Meaning, I don’t care if Tarantino wanted Kill Bill to be one continuous movie. The second part stinks. It’s boring. There’s too much needless talking and its dull even for the master of dialogue. The first part is just amazing and endlessly rewatchable.
Requiem for a Dream (2000)
I’ve been going through some best movies of the decade lists to see what other people have selected and to see if I have forgotten anything. None of them have Requiem for a Dream. Surprising considering Darren Aronofsky is such a darling of the critic brigade. This is the most gut-wrenching, engaging drama of the decade. Yeah, it uses a lot of gimmicks but it also was the first to use those gimmicks. I remember legendary Virginian Pilot (my local paper at the time) critic Mal Vincent giving this one a half-star review when it came out. I guess it can be polarizing film and I magnetize to the positive end.

United 93 (2006)
Gripping. If there was one movie this decade that I couldn’t tear my eyes away from it was this one. I doubt I’ll ever watch this film again but it’s memorable enough to break my multiple rewatchings rule. Easily the best movie about the war on terrorism.
Wonder Boys (2000)
I absolutely love this movie. I have as many laugh-out-loud moments from this movie as I do from any movie (I’m usually a laugh-on-the-inside type of guy). I always end up forgetting about it for a while and when I rediscover it I’m astounded I ever forgot about it in the first place.

Zoolander (2001)
Will Ferrell step aside. Judd Apatow minions step aside. Whoever else I’m forgetting step aside. The comedy maestro of the decade is Ben Stiller. The guy does over-the-top satire like no one else (he also does mainstream comedy better than anyone too). Zoolander might not be everyone’s cup of tea and it’s pure slapstick and silliness but it was my personal standard bearer for most laugh-out-loud moments this decade.
The Best Movie of the Decade
The Bourne Ultimatum (2007)
This is why I watch movies. Movies don’t have to mean anything. Movies don’t even need a good plot (or any plot). Is film art… or is it entertainment? Who cares? All of the Bourne films are revolutionary. They are required watching for the popcorn-popping, movie-theater-loving, escapist in all of us. And the third one is the finest of the lot. It’s like Mario. The first one blows up on to the scene and redefines a genre. The second one is different and underrated but still delivers the action. The third pulls the coup d’etat – that’s right, this is government-toppling stuff. The movie that all action movies in the future will be measured against. The only movie this decade I saw twice in the theater. You want to choose something that has meaning, that has a message? Fine, that’s your choice. Me, I’m picking the best entertainment of the decade as my best movie of the decade.

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